Watch English Movie 44 Inch Chest 2010 Trailer Review Free Online

44 INCH CHEST,HOLLYWOOD MOVIE RAVIEW

Release Date:January 29th, 2010
Director:Malcolm Venville
Writer:David Scinto, Louis Mellis
Starring:Ray Winstone, John Hurt, Ian McShane, Tim Roth, Tom Wilkinson, Stephen Dillane, Melvil Poupaud
Studio:IM Global
Genre:Drama

MOVIE REVIEW
Playing like one of Steven Berkoff’s theatrical pastiches of East End gangsterdom – with cod-Pinteresque cadences replacing Shakespeare’s – this profane, pretentious and seriously unfunny ordeal thriller reunites the writing team (Louis Mellis, David Scinto) and some of the stars (Ray Winstone, Ian McShane) of the far superior ‘Sexy Beast’.

A deliberately ambiguous opening – a slow pan around the devastated flat of supine villain Colin Diamond (Winstone) to the strains of Harry Nilsson’s ‘Without You’ – is followed by the initially unexplained abduction of a young French waiter (Melvil Poupaud) from a Chelsea restaurant. The victim is then locked up in a wardrobe in an abandoned East End warehouse by a motley crew of caricatured hardmen – Diamond’s geezers! – consisting of mother’s boy Archie (Tom Wilkinson), confident, black-shirted gay Meredith (McShane), semi-psychopathic Mal (Stephen Dillane) and the viciously unreconstructed Old Man Peanut (John Hurt).

The stage is set – and what a claustrophobic, theatrical, two-room stage it is – for a day of taunting, vicious banter as the traumatised, volatile and hallucinatingly drunk Diamond arrives and his pals encourage him to exact fatal revenge on ‘lover boy’ for, as flashbacks and dialogue reveal, his wife’s (Joanne Whalley) infidelity.

Aiming for black comedy and a redemptive satire on self-deluding male machismo, ham fisted debut director Malcolm Venville instead gives his cast enough rope to hang themselves rather than the characters they play, with the exceptions of poor Poupaud, an almost wordless skeleton in a cupboard, and the unfortunate Winstone, who graces what is otherwise a deeply unedifying movie with one of the most raw, deeply felt but wasted performances of his career.
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